a compilation of classic elvis presley songs on 180 gram vinyl.

a compilation of classic elvis presley songs on 180 gram vinyl.

the „sweet memories ep” is the first release of a three-ep-series coming up in 2018. christophe salin is taking us on his musical journey and paves the way for cooperation with future artists on his very own imprint „salin records” that he runs with his wife daria salin as a platform for electronic music and art. „sweet memories” is just setting up the right mood for this ep that will unlock some forgotten moments and will take you back to that feelings. „paradise” is an homage to the early 2000s and their happy go lucky attitude while „covered with pain” takes you on a modern ambient trip. the flip side is a statement, „house music is like a call, it is a religion to them…” as well as „love is unfair” are coming deep from the heart.

lagardere delivers an highly cinematic album - his very first solo album - a delicate musical gem oscillating between ethereal electro space pop and noisy techno fuelled songs.

der gehypte britische produzent ross from friends veröffentlicht ep auf flying lotus’ brainfeeder! der britische produzent ross from friends aka felix clary weatherall ist das neueste signing bei flying lotus’ brainfeeder-familie. der 24-jährige hat schon eine handvoll releases auf dem buckel, die im endeffekt die logische destillation seiner zahllosen einflüsse aus u.a. der cut & paste-kultur des hiphop, aus 80er-eurodance, hi-nrg, italodisco und unwiderstehlich rauen dancefloor-tracks. er debütierte 2015 bei breaker breaker, woraufhin veröffentlichungen bei lobster theremin und auf ihrem schwesterlabel distant hawaii, bei magicwire (dem label von produzent lone) und zuletzt molten jets folgten. 12 inch: limitierte schwarze 12” standard vinyl in weißer hülle mit sticker.

heart throbbing journeys from leonid nevermind opens up a flood of soft-focus house tracks with colorful and melting melodies leading directly to the soul love. raw and naked emotions through spacious and atmospheric sound among chicago and electro balearic riffs.

limited edition box contains the 2x12 inch lp, cd, download code, t-shirt (size l), poster and 3 photo cards.

4 shorelights is a collaborative ambient techno project feat. rod modell (deepchord, echospace, waveform transmission, transformations), and walter wasacz and christopher mcnamara of the detroit-based audio visual collective nospectacle. ancient lights expands the vision and the range of the shorelights aesthetic, heading into deeper territories of inner and outer space. its ambient for body and spirit, sound designed to make the human heart dance. limited copies…

das neue album von lisa stansfield als 180 gramm / 45rpm doppel-vinyl im klappcover, downloadcode inklusive.

rico casazza is an electronic producer, dj & teacher, based in london. having produced music for over 11 years, he has established a solid musical identity with releases on labels such as soma, archipel, plastic city & wiggle. following his killer “they move fast” ep on beef last summer, we now welcome him back for his first 12” with us. the productions are unique but you can tell they are from the same magical casazza signature ... raw acidity, enslaving basslines and subtle percussion. the ep kicks off at a measured pace with “yurican”, whose self-assured acid line sits wonderfully alongside the track’s reflective atmospheres. “argue” then evolves this acidic energy, still praying to the sky but pumping its fist higher than before ... laying the patchwork for the final original on the 12”, the euphoric dance floor obliterator, “macabre”. to finish, bringing your heart rate down with caution, dirscen has provided a drugged out remix of “end 2016”.

meditative and off-kilter, dubkasm’s new 12” is, unsurprisingly, completely unlike any other tune out there, and pays tribute to a too-frequently overlooked part of reggae tradition: dub poetry. originating in a collaboration between dubkasm and their long-time friend, norway-dwelling heavyweight bass guitarist, bajan steppa, enter the gates is a discomix built on a tuff bassline, skittering drums and retro synths, and features reflective, courageous lyrics about the enduring power of black liberation movements and consciousness, from gloucester vocalist rider shafique. the b-side contains an upfront instrumental cut, followed, in true dubkasm style, by a collaboration with a musical titan. mad professor’s incredible dub flips the original into a propulsive soundsystem killer, retaining the tune’s heart and spirit, but driving and percussive where the original is deep and soulful. mastered on to 1/2” tape at stardelta studios, and pressed on 180g vinyl.

a total of four killer dancefloor curveballs from kampala, uganda, performed and composed by the traditional mataali drum and vocal troupe mubashira mataali group (pron: moo-ba-shee-ra). esoteric and unusual although fantastically joyous to listen and dance to, the unbelievably tight multitude of percussionists provide the perfect backdrop for musician-come-filmstar sulaiman sulait to deliver his entrancing vocal performance with a strong islamic message at the heart.

previous alphonse releases on klasse wrecks, black orpheus and emotional especial. longing for summer, better weather is the most soulful cut yet to be heard in the ever-expanding catalogue of alphonses mpc jams. spacey and dusty deepness, with a heart yearning gospel vocal delivery from rev be, which alphonse tweaks and manipulates across three unique versions.

tartelet records is 10. to celebrate a decade in the cut, they re out a home run of new material from label mainstays & fresh signings in 2018. to kick things off, the label is enormously proud to set free endless light –– a new record from oakland newcomer space ghost.
coming on like a brainchild to dam funk & mutant beat dance, ghost s sound falls off the shelf between a number of distinct reference points: lone s early tropical synaesthetics, the modern funk of funkosphere, the intimate tapes out of ppu. in a sea of soundcloud copycats, he s a revelation.
endless light is a record with an open hand: an instantly appealing sound from a new producer with a highly-tuned ear. born of his collection of antique synths & drum machines, the space ghost experience channels a deep heritage of 1980s funk minimalism & analogue boogie. velvet pads, hood-rat sleaze & heaped spoonfuls of soul.

somewhere between dub and space lies the work of unknown wonders, like the one created by normal stage. a1 starts like part of a typhoon taking everything in it’s path. the pounding sub will crunch the dancefloor vibeing towards the core of the nervous system. the tunnel is open: b1 will open a star gate through precise push and pull movements. there is light at the end, but the trip is long. it’s a time travel where senses are altered. b2 takes us back to the ground where it all started. heavy basslines and lush pads are chanting in celestial ambiance. the drum of earth is the heart of the dance, a ritual for all things normal.

don’t sleep on this, as a record crammed to a brim with such insanely tight and varied material doesn’t hit the shops often. printed on a customary 180g elusive wax and limited to a measly 300 copies it won’t stay on the shelves for long and might just cause a riot! andrey burtaev is somewhat of a gleaming, speeding meteor that is about to hit our planet big and elusive records are proud to welcome him back for his second effort for the label. right from the start of the “move on dub” we are teleported to the heart of the deepest rainforest. the humid hallucinatory mist of the opening bars subversively flows into hooks laced with explosive jitters and locked-in, dubbed up tech-house beats. the jive comes in and reasserts the reggae roots so central to andrey’s music. the track is so dense with fresh ideas – it leaves you with that rare feeling of ‘not enough’.

the comeback of the growing bins favourite private german jazz funk gem. spring is in the air and groove is in the heart for hamburgs most loveable record label. following the freak beat festival of wolf and wandts instrumentalmusik comes a release thats been in the pipeline since the organic imprint first took root the first reissue of the beautiful senora. beguiling and brilliant, this private press princess makes you want to dance, dream and do cartwheels, then breaks your heart when you realise youll never meet her a rare beauty indeed. so its time to let basso play cupid and introduce you to the love of your life

incepted just three years after the beginning of the kompakt venture in 2001, it s safe to say the speicher series holds a very special place in both the heart of the label and its audience s. taking the helm for the 102nd instalment in the catalogue (and the first speicher to feature 3 tracks) we find an eclectic squad of producers triangulating from all corners of the globe but united by their boundless science of the groove. longtime friends turned studio companions, enzo elia (of balearic gabba soundsystem fame) and musumeci join forces for the first time on the unfaltering late night hip-swayer gothic safari , kicking things off with a relentless deep dancefloor epic à la Âme.

lp, first re issue ever, cut from original masters. original packaging strictly reproduced. incl. rinted gatefold sleeve and printed inner-sleeve with cd included. original year of release: 1991. features the tracks out of time man, king of bongo, madame oscar, etc. mano negra the legendary first band of french singer manu chao featuring songs in spanish, french, english and arabic. we are celebrating this year the 30th anniversary of its foundation. the album has been unavailable on vinyl since its first original pressing.

16 classic tracks that include guest appearances by david byrne, perry farrell and the flaming lips. a kaleidoscopic swirl of psychedelia, dub, indian, rock, brazilian, easy-listening and other worldly influences.

yeelen is a brand new project forged in the heart of a forgotten past. joe drive, of lux rec fame, and maurizio martinucci aka tez aka pragma have joined forces to sculpt, in their own words, -sonic constructions that transcend the canons of electronic music.- a bold statement, but then again this is a pretty bold ep. -techno tribalism and ritualistic soundscapes- are the bedrock from which this partnership cultivate their sound. figures and forms of a bygone time are conjured through intoxicating drum patterns, lost lands of dense jungle and windswept hills summoned through loops and samples to ensnare and entrance. polytheism explored through the prism of a polyphonic synth, mysticism born from machine drums, -ethnosonology of the future.-

giorgio gordano and giorgio dolce originally produced kkk back in 1983, and the track was taken into the hearts of the blossoming balearic scene hovering around dj alfredo at amnesia. its as gentle and sweet natured as italo disco can be, and of course it makes perfect sense that best records would dig it out of the archives and give it the shiny new reissue it deserves. the club mix of kkk is a feast of simple, charming programmed melodies and crisp drum machine rhythms with the innocence of the early 80s in its heart. the dub mix and bonus beats on the flip are handy for the technical djs out there, but the club mix is where it s at for the lovers.

akokan is a yoruba word used in cuba meaning from the heart, and indeed, every song on the self-titled debut album (march 30/daptone records) by orquesta akokan feels like a heartfelt gift from the band to the listener. assembled and led by cuban vocalist jose pepito gomez, orquesta akokan is a big band collective of the finest musicians on the island, both young and old. it features all-original music and was cut live to tape over a three-day session at havanas hallowed state-run estudios areito. areito is one of the longest operating studios in the world and where important cuban records have been made. the album was produced by jacob plasse and arranged by mike eckroth. comes in a gatefold sleeve with download code included.

first album of the talented eva geist, a journey into the deepness of her enchanting music, a world full of fantasy. this is probably one of the most singular, surprising and brilliant electronic project in the genre at the moment. and amazing artwork by the genius maria torres

a newcomer on the label’s lineups, mary delivers a distinctive balancing act between bleepy ambient listening and free thinking, heart-rending, dancefloor material. river is an invitation extended to listeners to lose themselves in sound with light tones, graceful harmonics, and smart rhythms. running through idm inflexions, ambient sound baths and low-key house hypnotics, it’s music that seems to have fallen out of time. river is an invitation extended to listeners to lose themselves in sound with light tones, graceful harmonics, and smart rhythms. running through idm inflexions, ambient sound baths and low-key house hypnotics, its music that seems to have fallen out of time.

2018 repress in original artwork! the debut album of these two young lads with baseball hats not only honours and delves into a sound that already peaked some fifteen years ago, it also hones and elevates it, without ever falling into the reynoldsmania trap (please see retromania for further reference) or being old gold retold. and this is all oh-so-clear from the very start: the fine flutes of >when its there< go straight to your heart and they do so without any self-mockery or hipster smiles as much as the gasping 303-sounds, chirping birds and healing dx-like bass sounds a few tracks later do. >salty days< - an allusion not to grim times, but to a certain members adoration for the crystalline mineral - is blessed with a coherence that isnt samey, with tradition that isnt leaden and a feeling that is pure.

the 3rd album from keane, originally released in 2008, now back on 180 gram vinyl

legendary deep soul french complation(s) featuring many soul classics, sometimes forgotten, which have been sampled countless times by some of the biggest hip-hop acts. cut from original masters. original packaging, beautifully and precisely reproduced to the original standards. original year of release: 2014

12inch new own label by leonid nevermind! leonid nevermind is back with a new sophisticated detroit house ep. 4 groovy soulful tracks with storytelling titles, hazy vocal elements, slapping funky basslines and bluesy piano patterns enswathing with mysterious chords and thrilling lucid melodies.

session victims new label adventure pen & paper sets its sails with the boys first original track since their 2017 album listen to your heart. puzzle builds an intense groove from an array of mechanical and organic percussion and chunky 12 bit chordstabs over a haunted pad and noise backdrop. closing the a side, vril takes the tune far out into deserted wasteland, steering his drumloops over chilly soundscapes towards a lynchesque string horizon. with not one but two versions, iron curtis claims the flip all for himself and, well, excels, excels twice. b1 hits with everything a breakbeat can hit you with and it brings that exact kind of bassline along. euphoric retro arps flush everything into enigmatic breakdowns to bring it back out and further. mr curtis finally brings the record into classy house territory with his passagen mix, embedding the original in between a heavily bouncing rhythm and an irresistible string section. vital sales points: - new label by the infamous session victim - smashing remixes by vril (dystopian, giegling) and iron curtis (hudd traxx, frank music) extensive global promo + tour - vinyl only

repress - for their first multi-artist compilation, music from memory take us on a trip to the heart of the amazon rainforest. outro tempo: electronic and contemporary music from brazil, 1978-1992 is a double lp that explores the outer reaches of brazilian music, where indigenous rhythms mix with synthesizers and where mpb mingles with drum computers. as brazil faced the last years of its military dictatorship and transition to democracy, a generation of forward-thinking musicians developed an alternative vision of brazilian music and culture. they embraced traditionally shunned electronic production methods and infused their music with elements of ambient, jazz-fusion, and minimalism. at the same time they referenced the musical forms and spirituality of indigenous tribes from the amazon. the music they produced was a complex and mesmerising tapestry that vividly evoked brazilian landscapes and simultaneously reached out to the world beyond its borders.

heavyweight 180 gram double vinyl

a timeless collection of 19 soulful ballads that define the genre.

ziemlich genau zwei jahre nach der ersten kollaborationssause aus dem märz 2015 legt tausendsassa jeff Özdemir sein zweites -friends--album vor. an diesem beteiligt waren keine geringeren als f.s. blumm, andrew pekler, halloumi express, sonja polligkeit, benjamin wild und dizzy (rotation) - wer solche freunde hat, darf sich glücklich schätzen! wie bereits auch beim ersten teil geht es bei den 20 neuen stücken drunter und drüber. jeff Özdemir, multiinstrumentalist, komponist, produzent und besitzer des berliner plattenladens 33rpm store sowie mitgründer des gleichnamigen labels, mag es seit je her bunt. wer will, kann hier 1001 einflüsse aus jazz, chanson, soul, gameboy-sounds, dub, minimal, psychedelischem wüsten-blues, siebzigerjahre-pop, klassik und john-carpenter-sounds heraushören. oder sich wundern, dass neben deutsch auch auf französisch, türkisch, japanisch und portugiesisch gesungen wird. aber das sind nur details, die für sich genommen wenig zählen. worauf es hier wirklich ankommt: die atemberaubende kombination zeit-, generations- und stilübergreifender akkorde, rhythmen und grooves besitzt ein ästhetisch rundum stimmiges klangbild, das seine volle wirkung entfaltet, sobald man sich diesem im ganzen hingibt.

few traces surveys a near decade of mark renner’s scarcely released and unreleased material from 1982 to 1990, embracing and evoking the timelessness of his artistic statement: a wordless translation of the individual’s musical experience, met with the poetic expression of being here. the double vinyl release comes with download code and booklet with extensive liner notes from brandon soderberg and unseen ephemera.

in a career spanning over 20 years, todd sines has released music on some of 89:ghosts favourite labels, such as peace frog (we heart you, .xtrak!!), planet e, 7th city and rawax. we are very proud to present internal dialogue, with all it s spasmic hardware rhythm, blurred horizon waves and bleeping, snapping, machineyfied funk. we hope you enjoy twitching to these trax as much as we do. peace. 89g x

lüüd discs is back on wax with the misunderstood ep by luvless, specific & powerful deep house from germany, strictly timed to the rhythm of your heart so that the wind that breathes in the aubrac can establish contact with the loved one.

fuzzed out and psychedelic covers of rare and classic tracks performed by san francisco’s monophonics. monophonics are back with a six-song ep that fuses the complimentary and explosive soul, rock and funk influences, proving themselves to be the rightful inheritors of the bay area’s impressive psychedelic soul sound. mirrors is comprised entirely of cover tunes, except that i doubt you’ve ever heard of half the deeply funky and soulful originals that inspired these soulful, tastefully produced, and timeless monophonics treatments. “we wanted to do a couple songs that were more familiar to people and then shine some light on groups we’re big into,” lead singer, keyboardist and co-producer kelly finnigan explains. it takes a lot of guts to cover your favorite songs, your van jams, that song you play as a shot of inspiration to break-up a marathon studio session. “not only are these great songs, but these are artists that we listen to and are influenced by.”

the second album from pet shop boys, originally released in 1987, now back as remastered reissue on 180 gram vinyl.

here come the james hunter six! serving yet another delicious dish of what you wish with the premier single off their upcoming lp, whatever it takes (dap-051). and i’ll be a monkey’s uncle if james hasn’t delivered two of his most compelling sides to date on this one. “i don’t wanna be without you” is a graduate level course in the three r’s of r&b: rhythm, rhyme, and romance. a sultry rumba sets the mood, as hunter swaggers in – donning his finest voice like a crisp tuxedo, complete with ruffled vibrato and rhyming cuff-links – and proceeds to lay on an absolute heart-stealin‘, deal-sealin’, panty-peelin‘ gem. on the flip, “i got eyes” loosens the collar and brings the metro- nome mark up a few clicks for a punchy tightened-up workout, edged-up with vibes and street corner backgrounds.

transparent as light, as ideas, as music and as the world should be no borders, but freedom and equality!
the new vinyl-imprint clikno is set to present dr.nojoke’s delicate understanding of contemporary dance-music, which is crafted and designed of self-made field-recordings as sample-source and which aims to trigger hips, belly, heart and mind equally.
it comes on transparent vinyl in a transparent sleeve with a silver/black clikno sticker inside.

calendar crowd was the duo of alan heaton and terence tiernan who met in their hometown of widnes, cheshire as schoolboys and played together in various bands in the ‘70s. in the ‘80s they formed a 6-piece band called room for humans and recorded one single“telephone telephone / girlfriend”. when the band split and alan and terence continued as calendar crowd in a more experimental direction. their influences were wide reaching: kraftwerk, neu, cabaret voltaire, eno, pil, and joy division.

finnish visual artist and filmmaker hannu karjalainen s music draws inspiration from ambient, drone, modern classical and dream pop. his first album worms in my piano was released in 2007 on osaka records and the second album, hintergarten in 2009 on simon scott s kesh recordings. a handful of dust is a desert, his third album – and the first under his full given name - arrives after a prolonged break.

exzellenter northern soul-sampler, diesmal gewidmet dem führenden club im osten englands, dem lincolnshire soul club am ende des cleethorpes pier und seinem legendären -talk of the north- all-nighter mit mary chapman, der queen of northern soul, der zwischen 1975-1978 stattfand. 14 top-tracks, darunter der ersten vinyl-reissue des klassikers -game players- von dooley silverspoon, gemastered von den original-tapes.

khalab has arrived onthecorner with ‘zaire’. ‘zaire’ is the beginning of a new narrative for the artist. in this first chapter khalab creates urgent compositions with layers of sound from the past, present and future. ‘zaire’ is underpinned by an intensely pounding heart of other-worldly percussion. the collaged loops frenetically jab in syncopation breaking off when the inherent swing casts its discrete groove to summon the dance. unrelenting waves of synthlines, basslines and rhythm find harmony amongst the melodic chants and distortion.

betty wright is a 64 year old american soul and r&b singer and songwriter, who rose to fame in the 1970s with hits such as -clean up woman- and -tonight is the night-. like aretha franklin, betty was blessed with a four octave voice range and is adept at using the whistle register. pressing on 180 gram audiophile vinyl.

desolat label boss loco dice kicks off 2018 in fine style with a huge new single which sees the him reflecting on his musical roots and his connection to dusseldorf, detroit and beyond, whilst giving a taster for a brand new long player to come later in the year. dices recent past has seen the master of robust house and techno funk serve up killer remixes of mobys classic ‘go and release his underground sound suicide album, whilst continuing to headline the biggest clubs and festivals around the world. at the same time, he has directed his endless passion and musical sensibilities to bare upon his desolat label, with a stream of records released from some of the most exciting artists around and supported by djs across the globe. now though the stage is set for the first new loco dice original recording in some time and it is sure to see him once more at heart of the global scene. the bristling ‘roots is a typically forceful track that blurs the lines between house end techno. it has twitchy synths bringing the energy to hurried drums as smooth chords add real soul. the claps are coarse & edgy, whilst dices own dark vocals bring a brooding atmosphere and the whole thing is a synapse firing rave-up that cannot fail to detonate any dance floor. an instrumental is also included for even more visceral thrills. this timely new single is the lead track from dices latest album project, entitled love letters and to be released later in 2018.

the first single taken from the forthcoming 3rd album by lay-far! never good enough for you is a deeply intimate and emotionally charged love message, written in collaboration with the acclaimed singer and songwriter stee downes. rough and edgy but equally soulful beat, showcasing heavy influences from hip-hop, broken beat and house, forms a perfect foundation for the heart-felt story of emotional struggle and break-up, delivered by stee downes! autobiographical song for both the songwriter and the producer. the single comes packaged with an instrumental version and a remix. the latter is a slightly more straightforward and politically-correct vision of the song, also produced by lay-far, using roland tr-707 drum machine instead of the gritty chopped drum breaks of the original. last but not least comes the bonus track -blow my mind bottom-heavy banger on the edge of funky breakbeats, bruk and classic electro a 2018 modern fusion ode to b-boying and breaking boundaries! watch out for the second single and the full-length album war is over, coming out later this year!

cfcf has swooned many with his heart breaking acoustic arrangements and mallet saturated arpeggios. it s about time the grammy nominated artist returns to the dance floor with self service.